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Bali
Art and Culture
Bali
History
Although there are no artifacts or records dating back to the Stone Age,
it is believed that the first settlers on Bali migrated from China around
2500 BC. By the Bronze era, around 300 B.C. quite an evolved culture existed
in Bali. The
complex system of irrigation and rice production, still in use today, was
established around this time.
History is vague for the first few centuries. A number of Hindu artifacts
have been found dating back to the 1st century, yet it appears that the
main religion, around 500 AD was predominantly Buddhist in influence.
A Chinese scholar, Yi-Tsing, in 670 AD reported on a trip to India, that
he had visited a Buddhist country called Bali.
It wasn't until the 11th century that Bali received the first strong
influx of Hindu and Javanese cultures. With the death of his father around
AD 1011, the Balinese Prince, Airlanggha, moved to East Java and set about
uniting it under one principality. Having succeeded, he then appointed
his brother, Anak Wungsu, as ruler of Bali. During the ensuing period
there was a reciprocation of political and artistic ideas. The old Javanese
language, Kawi, became the language used by the aristocracy, one of the
many Javanese traits and customs adopted by the cause.
With the death of Airlanggha, in the middle of the 11th century, Bali
enjoyed a period of autonomy. However, this proved to be short-lived as
in 1284, the East Javanese King Kertanegara, conquered Bali and ruled
over it from Java. In 1292, Kertanegara was murdered and Bali took the
opportunity to liberate itself once again. However, in 1343, Bali was
brought back under Javanese control by its defeat at the hands of Gajah
Mada, a general in the last of the great Hindu-Javanese empires, the Majapahit.
With the spread of Islam throughout Sumatra and Java during the 16th century,
the Majapahit Empire began to collapse and a large exodus of aristocracy,
priests, artists and artisans to Bali ensued. For a while Bali flourished
and the following centuries were considered the Golden Age of Bali's cultural
history. The principality of Gelgel, near Klungkung, became a major centre
for the Arts, and Bali became the major power of the region, taking control
of neighboring Lombok and parts of East Java.
The European Influence
The first Dutch seamen set foot on Bali in 1597, yet it wasn't until the
1800's that the Dutch showed an interest in colonizing the island. In
1846, having had large areas of Indonesia under their control since the
1700's, the Dutch government sent the troops into northern Bali. In 1894,
Dutch forces sided with the Sasak people of Lombok to defeat their Balinese
rulers. By 1911, all the Balinese principalities had either been defeated
in battle, or had capitulated, leaving the whole island under Dutch control.
After World War I, Indonesian Nationalist sentiment was rising and in
1928, Bahasa Indonesia was declared the official national language. During
World War II, the Dutch were expelled by the Japanese, who occupied Indonesia
from 1942 to 1945.
After the Japanese defeat, the Dutch tried to regain control of their
former colonies, but on August 17, 1945, Indonesia was declared independent
by its first President, Sukarno. After four years of fighting and strong
criticism from the international community, the Dutch government finally
ceded and, in 1949, Indonesia was recognized as an independent country.
The People
Life in Bali is very communal with the organization of villages, farming
and even the creative arts being decided by the community. The
local government is responsible for schools, clinics, hospitals and roads,
but all other aspects of life are placed in the hands of two traditional
committees, whose roots in Balinese culture stretch back centuries. The
first, Subak, concerns the production of rice and organizes
the complex irrigation system. Everyone who owns a sawah, or padi field,
must join their local Subak, which then ensures that
every member gets his fair distribution of irrigation water. Traditionally,
the head of the Subak has his sawah at the very bottom of the hill, so
that the water has to pass through every other sawah before reaching his
own. The other community organization is the Banjar,
which arranges all village festivals, marriage ceremonies and cremations,
as well as a form of community service known as Gotong Royong.
Most villages have at least one Banjar and all males have to join one
when they marry. Banjars, on average, have a membership of between 50
to 100 families and each Banjar has its own meeting place called the
Bale Banjar. As well as being used for regular meetings, the
Bale (pavilion) is where the local gamelan orchestras and drama
groups practice.
Each stage of Balinese life is marked by a series of ceremonies and rituals
known as Manusa Yadnya. They contribute to the rich,
varied and active life the average Balinese leads.
Birth
The first ceremony of Balinese life takes place even before birth. Another
ceremony takes place soon after the birth, during which the afterbirth
is buried with appropriate offerings. The first major ceremony takes place
halfway through the baby's first Balinese year of 210 days.
Names
Basically the Balinese only have four first names. The first child is
Wayan or Putu, the second child is Made or Kadek, the third is Nyoman
or Komang and the fourth is Ketut. The fifth, sixth, seventh, eighth and
ninth will be another Wayan, Made, Nyoman, Ketut and Wayan again.
Childhood
The Balinese certainly love children and they have plenty of them to prove
it. Coping with a large family is made much easier by the policy of putting
younger children in the care of older ones. After the ceremonies of babyhood
come ceremonies marking the stages of childhood and puberty, including
the important tooth-filing ceremony.
Marriage
Every Balinese expects to marry and raise a family, and marriage takes
places at a comparatively young age. Marriages are not, in general, arranged
as they are in many other Asian communities although strict rules apply
to marriages between the castes. There
are two basic forms of marriage in Bali - mapadik and ngorod. The respectable
form, in which the family of the man visit the family of the woman and
politely propose that the marriage take place, is mapadik. The Balinese,
however, like their fun and often prefer marriage by elopement (ngorod)
as the most exciting option. Of course, the Balinese are also a practical
people so nobody is too surprised when the young man spirits away his
bride-to-be, even if she loudly protests about being kidnapped. The couple
go into hiding and somehow the girl's parents, no matter how assiduously
they search, never manage to find her. Eventually the couple re-emerge,
announce that it is too late to stop them now, the marriage is officially
recognized and everybody has had a lot of fun and games. Marriage by elopement
has another advantage apart from being exciting and mildly heroic it's
cheaper.
The Household
There are many modern Balinese houses, but there are still a great number
of traditional Balinese homes. The streets of Ubud; nearly every house
will follow the same traditional walled design.
Men & Women
There are certain tasks clearly to be handled by women, and others reserved
for men. Social life in Bali is relatively free and easy. In Balinese
leisure activities the roles are also sex differentiated. Both men and
women dance but only men play the gamelan. Today you do see some women
painters, sculptors, and woodcarvers.
Community Life
Balinese have an amazingly active and organized village life. You simply
cannot be a faceless nonentity in Bali. You can't help but get to know
your neighbors as your life is so entwined and interrelated with theirs.
Death & Cremation
There are ceremonies for every stage of Balinese life but often the last
ceremony-cremation-is the biggest. A Balinese cremation can be an amazing,
spectacular, colorful, noisy and exciting event. In fact it often takes
so long to organize a cremation that years have passed since the death.
During
that time the body is temporarily buried. Of course an auspicious day
must be chosen for the cremation and since a big cremation can be very
expensive business many less wealthy people may take the opportunity of
joining in at a larger cremation and sending their own dead on their way
at the same time. Brahmans, however, must be cremated immediately. Apart
from being yet another occasion for Balinese noise and confusion it's
a fine opportunity to observe the incredible energy the Balinese put into
creating real works of art which are totally ephemeral. A lot more than
a body gets burnt at the cremation. The body is carried from the burial
ground (or from the deceased's home if it's an 'immediate' cremation)
to the cremation ground in a high, multi-tiered tower made of bamboo,
paper, string, tinsel, silk, cloth, mirrors, flowers and anything else
bright and colorful you can think of. The tower is carried on the shoulders
of a group of men, the size of the group depending on the importance of
the deceased and hence the size of the tower. The funeral of a former
rajah high priest may require hundreds of men to tote the tower.
A long the way to the cremation ground certain precautions must be taken
to ensure that the deceased's spirit does not find its way back home.
Loose spirits around the house can be a real nuisance. To
ensure this doesn't happen requires getting the spirits confused as to
their whereabouts, which you do by shaking the tower, running it around
in circles, spinning it around, throwing water at it, generally making
the trip to the cremation ground anything but a stately funeral crawl.
Meanwhile, there's likely to be a priest halfway up to tower, hanging
on grimly as it sways back and forth, and doing his best to soak bystanders
with holy water. A gamelan sprints along behind, providing a suitably
exciting musical accompaniment. Camera-toting tourists get all but run
down and once again the Balinese prove that ceremonies and religion are
there to be enjoyed. At the cremation ground the body is transferred to
a funeral sarcophagus, this should be in the shape of a bull for a Brahmana,
a winged lion for a Satria and a sort of elephant-fish for a Sudra. These
days, however, almost anybody from the higher castes will use a bull.
Finally up it all goes in flames funeral tower, sarcophagus, body, the
lot. The eldest son does his duty by poking through the ashes to ensure
that there are no bits of body left unburned. And where does your soul
go after your cremation? Why, to a heaven which is just like Bali!
Religion
The Balinese are Hindu yet their religion is very different from that
of the Indian variety. They do have a caste system, but there are no untouchables
and occupation is not governed by caste.
In fact, the only thing that reflects the caste system is the language
which has three tiers; 95% of all the Balinese are Hindu Dharma, and speak
Low or Everyday Balinese with each other; Middle Balinese is used for
talking to strangers, at formal occasions or to people of the higher Ksatriya
caste; High Balinese is used when talking to the highest class, the Brahmana,
or to a pedanda (priest). It may sound complicated, but most of the words
at the low and medium levels are the same, whereas High Balinese is a
mixture of Middle Balinese and Kawi, the ancient Javanese language.
The Balinese worship the Hindu trinity Brahma, Shiva and Vishnu, who
are seen as manifestations of the Supreme God Sanghyang Widhi. Other Indian
gods like Ganesha (the elephant-headed god) also often appear, but more
commonly, one will see shrines to the many gods and spirits that are uniquely
Balinese. Balinese believe strongly in magic and the power of spirits
and much of their religion is based upon this. They believe that good
spirits dwell in the mountains and that the seas are home to demons and
ogres. Most villages have at least three main temples; one, the Pura Puseh
or 'temple of origin', faces the mountains and is dedicated to the village
founders, another, the Pura Desa or village temple, is normally found
in the centre and is dedicated to the welfare of the village, the last,
the Pura Dalem, is aligned with the sea and is dedicated to the spirits
of the dead. Aside from these 'village' temples, almost every house has
its own shrine and you can also find monuments dedicated to the spirits
of agriculture, art and all other aspects of life. Some temples, Pura
Besakih for example, on the slopes of Mount Agung, are considered
especially important and people from all over Bali travel to worship there.
Offerings
play a significant role in Balinese life as they appease the spirits and
thus bring prosperity and good health to the family. Every day small offering
trays (canang sari) containing symbolic food, flowers, cigarettes and
money, are placed on shrines, in temples, outside houses and shops, and
even at dangerous crossroads.
Festivals are another great occasion for appeasing the gods. The women
bear huge, beautifully arranged, pyramids of food, fruit and flowers on
their heads while the men might conduct a blood sacrifice through a cockfight.
There are traditional dances and music and the gods are invited to come
down to join in the festivities. The festivals are usually very exciting
occasions and well worth observing, if you are in the area. A crucial
thing to remember, if you wish to join in celebrations or enter a temple,
is that there are a number of rules that have to be respected.
Attending Ceremonies:
Reme these are serious occasions and should be treated as such. Religious
guidlines :
1. Always wear a sarong and sash.
2. Do not walk in front of people praying.
3. Do not use flash camera or push your camera into the priest's face!
4. Never sit higher than priest or the offerings
5. At cremation, do not get in the way of the attendees - however important
that photographic opprtunity is!
6. Women are not allowed to enter temples during menstruation.
N.B. When attending Special Ceremonies or Anniversary
Celebrations as a gust or onlooker, small donations are gratefully recieved.
Your donations will help in paying for the offerings and upkeep of the
temple.
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